[…]for shows on the Sundays when the cinema did not open (a one-in-three rotation was imposed in those days) thus providing the ultimate in professional presentation standards, including up to 70mm film gauge, for the membership. The “value for money” concept was remarked on favourably many years later[…]
[…]impact was always visual for him. And sound, of course. And you know, this is that was his style, and I think he set us a hallmark in dramatic visual presentation. I don't know of any other director, not even Hitchcock, who could would be superior, or even David Lean, who I think is one of the Engli[…]
[…]on is that although he'll work hard if he's interested or coerced or if he feels it worthwhile he'll not hesitate to take advantage of a master whose presentation is uninspired and who may perhaps be reluctant to impose the full rigour of the law upon offenders. It may be also that a certain intelle[…]
[…]: And James was in Edinburgh? R: Yes. I: And Martin was in Edinburgh? R: Yes. Well, Martin did quite a lot here actually. He was doing Presentation as well. And there was a guy James Matthews worked with in Edinburgh - Andy... I: Phail. R: Andy Phail and the two of them real[…]
[…] that's probably quite a good thing. And I think if I looked back on the stuff back then I would say that my, whilst there was nothing wrong with the presentation of it and it was all articulate enough, I probably was a bit stiff and I think the sort of loosening up and making presenting a natural e[…]
[…]ember sometimes in Forces Favourites we had to help out in the Schedules Department, a very busy department downstairs which, we came under Presentation, Forces Favourites, but we were a separate little unit, three girls running Forces Favourites. But when they were short staffed[…]
[…] they are going to make this film or make this presentation with this cast and this director and this script […]
[…] was the night of the Academy, Television Academy Awards, and the whole of television, BBC and ITV, had gone to the Dorchester Hotel for that night’s presentations. I had remained behind at Lime Grove, basically, I can’t remember for what…any special reason, to see Tonight go out on the air, p[…]
[…]up a series of craft masterclasses so that people, senior practitioners in the different fields like the video effects workshop for example, could do presentations to colleagues in the department to explain what they did because you know they didn't talk to each other before that point, they hadn't […]
