ALEXANDER FARISComposer/conductorInterviewed by Teddy Darvas, with Alan Lawson recorded 21 February 1994Copyright of the recording invested in the BECTU History - ProjectSIDE 1, TAPE 1.TD: Can you tell us where you were born, your education, your youth and now you came into musicAlexander Faris: I w[…]
[…]out forms that the auditor know, you tell an audience This is it and they believe you. That's what movies are, you know. So we keep this in fact, the presenter who was older, older, all around steady, he had a soft desk and his telephone and talking to the audience, you know, and then at the end of […]
BECTU History Project - Interview No. 250 [Copyright BECTU ] Transcription Date: 1999-01-30Interview Date: 1992-03-03 Interviewer: Arnold SchwartzmanInterviewee: Charles Bennett Also present was Charles Bennett's business partner Stuart Birnbaum. Tape 1, Side 1Arnold Sc[…]
This transcript has been produced automatically using Otter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of […]
powell Copyright is vested in the BECTU History Project. The subject is Wendy Toye, interviewed by Linda Wood, 20 May 1991, recordist Dave Robson. File 197SIDE 1, TAPE 1LW: Can you say when and where you were born?WT: I was born in 1917, in London, May 1st.LW: Where about in London?[…]
Alan Lawson 0:00 the copyright of this recording is vested in the ACTT History Project. Pieter de Normanville, documentary film director, interviewer, is John Taylor, recorded on the 28th of February 1991. With interjections from his wife, Sarah Erulkar side one.John Taylor 1:11 &n[…]
TranscriptBEHP transcript DisclaimerThis transcript has been produced automatically using Speechmatics.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the conte[…]
