Geoff Labram

BEHP  0:00  We're in the theatre five at Pinewood at the date is the 25th, Tuesday the 25th of October 1988. And we're going to go through the basic questionairre first, and then hopefully, if we don't get out all the bits and pieces we want from the, we'll go over to the more specialised […]

Len Runkel

NOTE. At the end of this transcript is an earlier shortened version highlighting the main pointsBEHP transcript DisclaimerThis transcript has been produced automatically using Otter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the[…]

Edward Dryhurst

BECTU History Project - Interview No. 36 [Copyright BECTU]  Transcription Date: 2003-10-01Interview Date: 1988-04-26 Interviewer: Roy FowlerInterviewee: Eddie Dryhurst  Tape 1, Side 1Roy Fowler: This recording is copyright by the ACTT History Project. It's recorded on t[…]

Harry Miller

BECTU History Project Interview with HARRY MILLER – sound, sound editorInterview Date(s): 23 October 1987, 12 September 1988Interview number: 20Interviewers: ROY FOWLER, ALAN LAWSON Tape 1, Side 1 ALAN LAWSON: This recording is copyright by the ACTT History Project.   Harry Miller dub[…]

Michael Houldey

[…]can say that without fear of contradiction. We did three films called your life in the hands. And this was an exciting project. It was done without a presenter. There have been present. There's been a series they've done serious life in the hands before. But this was without a presenter. So a lot of[…]

David Elstein

[…]ited by Panorama as Studio Director. This was when Jeremy Isaacs was Editor. Hugely buoyant and adventurous period. But Jeremy wanted to do away with presenters and Robin Day didn’t like this, engineered a coup, got Jeremy ousted. Jeremy then pitched up at Rediffusion before it became Thames, starte[…]

Michael Colomb

[…]he same size that the person had to wear. Fortunately, trousers were baggyer in those days is a bit more room to hide in it. But getting this on, the presenter, who's going to meet the victim  was a job and a half and setting it all up into my horror, because there was no time for rehearsal. Th[…]

Edward Aneurin Williams

[…]g I don't remember what you were asking me. But then I sat watching him doing it, you know? I'm just telling you, what you perhaps I should say, as a presenter this, I suddenly get struck every now and then when I'm telling people, things like this. You want to how much am I making this up? I'm quit[…]
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