[…] in the BECTU History Project. Lindsay Anderson, film director, theatre producer, interviewer Norman Swallow, recorded on 18 April, 1991 SIDE […]
[…]lled Six Ten. It ran, I think, for twenty minutes and I was the first anchorman on Six Ten. But I didn't last very long because there was a change of Producer after the first six months and the new Producer wanted his own team. Slightly more news-orientated people came in to do the programme then an[…]
[…]t! But anyway, we were going to launch this Lunchtime Scotland Today so it was very competitive who was going to work on what and I got the Assistant Producer's job on Lunchtime Scotland Today with the responsibility for doing the feature side of it. So, this is going to be a half-hour programme eve[…]
[…]ree levels too low to be a good actor, but I was over Tony Garnett and Tom Courtenay, when I was at University College London, but I was quite a good producer-director. And I wanted to take that path, and in fact spent my first post-graduate job was with a touring theatre in Norway. A state touring […]
[…] I suppose was the chief, one of the chief people at Gaumont's.Roy Fowler: And Balcon.E.M. Smedley-Aston: Yes, yes. But Mickey was always a producer, he never directed.Roy Fowler: Oh yes, not as...yes. It's interesting, I meant to comment on this earlier, how many people came out of B[…]
[…] a lot about the business, a lot of how to do things, and also a lot of things, how not to do. I mean, it was a funny mixture. But he was a brilliant producer, and an Associate Director radio. But a translator was the first one I made every transplants case, which was wells appeared in the omad, whi[…]