[…] Grade. Well, no, the other stuff was Hannah Weinstein, but all the stuff at National was for Lew Grade, ITV.DB: ITC.PM: ITC, and Ralph Smart was the Producer, and we had various directors who came through. I mean some who went on to be quite well known and others who disappeared. But it was [a] fiv[…]
[…]er if the station is still there? I presume it is. But it was a very efficient organisation. Very good. It was MGM. Victor Saville was the Producer and I got a number of days dubbing as well, because apart from being a butcher boy, I also had a public school accent. So I think […]
[…]e had a little Sound Studio, which unfortunately, wasn't totally soundproof. But middle of the night it was wasn't bad. And we filmed them with a BBC producer called Alan Sleeth. And he came and directed that we did about eight of those introductions over a period of two nights. But Subsequently, th[…]
[…] of operetta productions at the Wells, they hadn't done it before, well they'd done the Merry Widow but that was all. And they wanted a conductor and producer who had both worked both in the theatre and the West End and Wendy Toye was the choice of producer, director I think they would now call it, […]
[…]n mining review stories. I. Have. Not had that time before I took over the producer ship of the real. Anyway we carried on. Robert Kruger eventually took over&n[…]
[…]t deal from him. And then we did a thing called Kew Gardens, which I'm credited with having directed. In actual fact Harold decided he wanted to be a producer, so he put himself down as producer, and I got this large directing credit [laughs] which was totally undeserved.Stephen Peet: Was this a com[…]
[…]ion of about a month or six weeks abroad and then the whole unit would come back and the unit would go on to other things but I would go with the two producers, work with the two producers on planning and recceing the next stint. And then I'd get my unit together and then we'd all go across and do t[…]
