[…]n't forget. So then they set up a Radio subdivision committee and a Television subdivision [committee]. So in the radio one would be studio managers, producers, directors, all of the other… RL: Technical staff? GM: Everybody, yes, or anything that was radio. So there was Radio and Televisi[…]
[…]chive film footage for history programming, and this was largely built on the back of our association with The Great War, where IWM was one of the co-producers and Noble Frankland was, I think, one of the historical advisors, and in the 1970s came along the Thames Television Great War series, which […]
[…]p; Glyn Jones 0:00 The copyright of this recording is vested in the BECTU History Project. The name of the interviewee is John Wiles producer, and the interviewer, Glenn Jones. The date is the 23rd of April 2002. And this is side one of the tape.John, you've had a career[…]
[…]irector of production.Oh was he director of production?Yes, oh yes.Ah.Oh Leslie Everley, [ph 14:30] oh yes, oh yes. You know oh yes, he was the chief producer there.Yes, yes, ah.He had been about in the film studios quite a bit before he came to National Screen.Yes, I know.So he knew his job, he kne[…]
[…] George's secretary at that time who later became his wife. Was a lovely lady called Judy Lockhart Smith. And her father was the chairman of the film Producers Guild, which was. Company that made short films and advertising films and documentaries and so forth. They were down in St Martin's lane. I […]
