[…]xhibit. 21.00 MW: During your time from the start of the Department as a department and your involvement in television production and supporting producers and so on,how much emphasis was there then on earning income for the Imperial War Museum out of that endeavour? Was it something which was j[…]
[…]into the studios in mercury, working for Frank Green, where I started, and he wanted that Powell film, but he didn't get it because I was in with the producer, frixos Constantine, and it came into us, but he was Fred gave me some horror stories about what Powell was like, but he actually was a lovel[…]
BEHP transcript DisclaimerThis transcript has been produced automatically using Otter.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interv[…]
[…] and what was the first drama you eventually stepped up? Drama? Yeah, I remember. I remember that because I'd worked with Nigel Finch, who was like a producer of arena. I think he was the CO editor of arena. I did a few weeks with Nigel. And he recommended me to Ruth Caleb, who was quite senior prod[…]
[…]'ve got a book that he wrote that he's signed inside to me on them on that. And she Yeah, she got a lot of interesting people, because Nicole was the producer. on them all. Basil Appleby, whom I mentioned earlier, I think he'd given up the idea of acting, he was casting director, stroke associate pr[…]
[…]nd he practised his trumpet playing. I remember he was a an area there but that's just his character. But He then got involved later with other other producers where there was after the the wire Catania leaving, because I stayed on for a while before I ever joined with like a Tonio, but he had these[…]
Alan Masson (AM) Former Kodak Director of Engineering, Hollywood Interviews: Carolyn Rickards (CR) and Paul Frith (PF)Date: 27/10/2017Length: 01:36:00 Transcript edited […]
[…]t was one of the things I didn't like. But I actually did The Tower, which was another one, with Liam Hood as one of the Executives at STV and he was Producer of that and that was very good, it was all about a television station a way out in the country but that was very good. But there were lots of[…]
[…]his unit would become pretty disenchanted with him from time to time with him. I think this happened more than once. But yes, and Donald Alexander as producer was falling quite a little bit, he and Paul were not kind of getting on, so it very much split the unit, and I was one of the ones that went […]
[…]work in the theatre[??], I mean, the crafts. I mean I think we’veprobably got you covered[??] on the list here as photographer, director, editor,producer. Anything we’ve missed?No, I don’t think so.You didn’t suddenly become a, a lighting operative or something? No. And did you work f[…]
