[…] the drama was a good start Yeah, well yes we if you haven't ended up let's try and get the star into interview interview the star on the show or the producer or whatever and it was, it was all done on the whole thing was very little initially real planning at all. It was an extension of presentatio[…]
[…] on the floor at Pinewood. (Oliver Twist). And rather than write to Lean whom I thought must be a very busy man directing, I thought I'll talk to the producer who doesn't go out of the office, and has plenty of time! So I wrote to Ronnie Neame instead, I said I'm keen on getting into films and can I[…]
[…] that to start work in an ITV company. MW: And the Palestine series, who was actually directing it or producing it? TD: The principal Producer was man called Richard Broad, who was one of the very great ITV documentary directors of the time, [who] now lives in the West of Ireland; if[…]
[…]d to get some work. And he booked one in the morning, one in the afternoon, 10 agencies, five days. And in the morning I went into C, J, lytles and a producer whose name stubborn. Escapes me, but it'll come back in a moment. One of the old hands, and he looked at the reel, and he was awful, absolute[…]
[…] very busy man directing, I thought I'll talk to the producer who doesn't go out of the office, and has […]
[…]dJohn Taylor 4:21 locks his name,Paddy Carey 4:22 William poor po e L. And my father actually was also an amateur. Paul was a producer who had original ideas on how Shakespeare should be produced and he preferred working with amateurs. Because they were more malleable, as the[…]
[…]s quite an accomplished , so I'm told, classical pianist and a friend of our family, a man called Harry S. Pepper, who at that time, was a producer at the BBC, and he was the producer of the minstrel show, The Black and White Minstrel Show. And he decided to take this show out on tour. An[…]
[…]any realist films. Then, even, even then it was called realist films. He sent me across Oxford Street to strand films, where Paul Rosa was one of the producers, and I showed him some of my photographs, and he seemed to like them, and he gave me an unpaid job because he was not allowed to employ me, […]
[…]idea of being actually operating things, rather than than being servicing equipment. Nick Gilbey 40:23 Of course, a lot of producers and people on the production side had, had been in the RAF during the war and Harry Coventry 40:31 things. Yes, I[…]
