Richard (Dickie) Best

[…]ting for Herbert Wilcox. He had a team of editors in fact, he hadFreddy Wilson and he had Elmer Williams who was an American editor wholater became a producer in Hollywood. And there I continued on joining,doing night work, because Merrill White was a man who wanted to worknights. He didn't want int[…]

Roger Smither

[…]chive film footage for history programming, and this was largely built on the back of our association with The Great War, where IWM was one of the co-producers and Noble Frankland was, I think, one of the historical advisors, and in the 1970s came along the Thames Television Great War series, which […]

Esther Harris

[…]irector of production.Oh was he director of production?Yes, oh yes.Ah.Oh Leslie Everley, [ph 14:30] oh yes, oh yes. You know oh yes, he was the chief producer there.Yes, yes, ah.He had been about in the film studios quite a bit before he came to National Screen.Yes, I know.So he knew his job, he kne[…]

John L Hargreaves

[…]e though. Welcome.Jim Shields  6:55  It's like a Rembrandt uncooperative,that these things go on forever. on for years, you could be with a producer I worked for. And I went up to his office one day he returned from South Africa. Argentina films are made before the war.John Hargreaves &nbs[…]

Leonard (Len) Harris

[…]ies and things like that and I would be called in to translate. I mean I will say I went on one location for Gainsborough pictures and as soon as the producer - it was in France and he realised that I could speak a bit of French, he roped me in as an interpreter, and he paid me, he paid me for it. W[…]

Cynthia Moody

[…]bsp;                   Well, John Haggarty, he was the producer then. Sidney Sanderson [ph] was the cameraman, number one cameraman. Terry Gould, another cameraman there. Michael Sanderson was the producti[…]
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