[…]ched the screen. Yes. And for example where he goes was never made because it was during the war and when the war was declared Marin Cooper who was a producer at MGM he had to go into the army and the flying tigers I believe. Yes he was.SPEAKER: M8He had a great interest in aviation and he was a fly[…]
[…]n Lawson [NB: Identities not clear] Duration: 02:24:07The copyright of this recording is vested in the ACTT History Project. Nancy Thomas, television producer/director. Interviewer Norman Swallow. Recorded on the twenty-fifth of January 1991.Well, if you don’t mind, you know, when and where were you[…]
[…] is vested in the ACTT History Project. Nancy Thomas, television producer/director. Interviewer Norman Swallow. Recorded on the twenty-fifth of January […]
[…] that to start work in an ITV company. MW: And the Palestine series, who was actually directing it or producing it? TD: The principal Producer was man called Richard Broad, who was one of the very great ITV documentary directors of the time, [who] now lives in the West of Ireland; if[…]
[…] the drama was a good start Yeah, well yes we if you haven't ended up let's try and get the star into interview interview the star on the show or the producer or whatever and it was, it was all done on the whole thing was very little initially real planning at all. It was an extension of presentatio[…]
[…]d to get some work. And he booked one in the morning, one in the afternoon, 10 agencies, five days. And in the morning I went into C, J, lytles and a producer whose name stubborn. Escapes me, but it'll come back in a moment. One of the old hands, and he looked at the reel, and he was awful, absolute[…]
Dallas Bower Side 1Alan Lawson 00:02Dallas Bower: producer, television director, television producer, sound recordist, film editor, drama producer. Dallas, when and where were you born?Dallas Bower 00:19Kensington Hall Gardens, London 1907.Alan Lawson 00:2[…]
[…] very busy man directing, I thought I'll talk to the producer who doesn't go out of the office, and has […]
[…]film suitable for colour, or is it a black and white film? Really, truthfully it was probably a budget consideration. And there was no doubt, in most producer’s minds, that a movie had to be in colour once it became practical to shoot in colour. I still loved shooting black and white stills, but I d[…]
[…]o have a look at us." And I went to look at him on the monitors, which we used to do. Sure enough there was Tom. And I called Mark Shivas who was the producer. I said "Mark, I think there's somebody there who could do this." And we came and looked at him and said, you know, that possibility. And we […]
