[…] a lot of power and a lot of budget and told to get on with it. And he, very extraordinarily to me, asked me if I would like to come as his assistant producer. Well, it wasn't an awful one. Turned down basic films were rather on hard times, and were quite glad to get my salary off their books. And s[…]
[…]d and Alec Bryce were there doing Diamond City. So I bumped into them. This is where I bumped into Dennis Mitchel who later became a documentary film producer. But in those days was making programmes on tape for the BBC. He used to disappear out into the bush with reels and reels of tape and disappe[…]
[…] bumped into Dennis Mitchel who later became a documentary film producer. But in those days was making programmes on tape for […]
50 Years of British TV Documentaries: A Diary of Decline, by a film editor – Simon Rose 2014 With his unique perspective […]
[…]into office. And there was hardly any questioning of it. We did want to question it in the way I think probably I wanted to question it more than the producer. But we did want to raise some questions. And we and we knew if we set out from the start by by saying that we're making that clear that we w[…]
[…]call it news. You just do something about it. And report on whatever's happening. You can still be officially PA can you know, I was? I think I was a producer. Yeah, I was a producer. Yeah. And yes, I was a producer. Yeah. And so I ran this, this arts magazine for some time and then then Civilizatio[…]
[…] in the early Fifties, very early, beginning of the Fifties, invited by Thorald Dickinson to write a book about the making of a film, and Sid was the producer. The film was I'm afraid a disaster chiefly because the script, the idea was alright but the script was infantile. And I was there to do this[…]
Transcribed by Graeme Hobbs.SIDE ONEThis recording, is vested in the ACTT [Association of Cinematograph and Television Technicians] history project. Jack Gold, film and television director, interviewers, Norman Swallow and Alan Lawson, recorded on the 27th February, 1990, side 1. NS Going […]
[…] = wanted to work in the theatre as a theatre producer. My study course was Scandinavian studies , main language Norwegian, […]
[…] mean, I suppose on Ryan's Daughter he didn't have a producer. AI: Well he did but John Taylor: But an ineffectual […]
