COPYRIGHT: No use may be made of any interview material without the permission of the BECTU History Project (http://www.historyproject.org.uk/). Copyright of interview material is vested in the BECTU History Project (formerly the ACTT History Project) and the right to publish some excerpts may not b[…]
[…]an amazing shot and it had taken...this cameraman's name...from two until four to do it. I'd seen it 'cause I'd heard the director complaining to the producer...John was complaining to [Jules] that what's-his-name was taking so long to light this set. It had to be on the stage when it was just...whe[…]
The copyright of this interview lies with the \british Entertainment History ProjectInterview with Rosamund JohnInterviewer: Rodney Giesler RG: Could you tell me your background Rosamund, how you started acting and what was the situation?RJ: Well I don’t know why, I always wanted to be an actre[…]
[…]y - if I dare say it! - 17th March 1992. I'm joined by Stuart Birnbaum, who's a collaborator with Mr. Bennett...Charles Bennett : ...And he's also my producer...Arnold Schwartzman : ...And producer on the remake of 'Blackmail'. I will ask Mr. Birnbaum if he will kindly, from time to time, ask Mr. Be[…]
The copyright of this interview lies with the British Entertainment History Project Interviewer Sidney ColeAdditional questions by Roy Fowler Interviewee Una BartDate 19 June 1991SC: Una when and where were you born? UB: I was born in Brixton in the Brixton Road, 82 years ago, last May, of prof[…]
[…] There's a man named Leslie easily who had been I think quite a well-known producer. A man named Cecil Hepworth who I see as written I wrote one of th[…]
[…] a different class, so I’ve always considered myself very lucky that I managed to find a job there. He was also a very approachable and knowledgeable producer.You actually had contact with Korda?Oh yeah, he used to come around the studios and the brother was the art director. Oh no Alex was the grea[…]
