Search Results for: Production

[…] Borehamwood studios, after about two years he moved back into production as assistant dubbing mixer. Worked on various films , […]

[…]nbsp;60 Assistant 60 record is probably about 30 Assistant record is 40 Sparks and nine,Unknown Speaker  10:08  nine to 10 Grips is amazing production house. And you've got to work on such a variety of programmes everything from current affairs documentaries to drama, comedy, music and art[…]

[…] other than secretaries, make up, wardrobe and I wasn’t interested - and hairdressers - I wasn’t interested in doing any of that. I wanted to go onto production, especially after I had been in documentaries for three years. So he took me on as a ‘runner’, and I was quite happy about that and John Cr[…]

[…]n the meeting room of the British Film Commission, at 70, Baker Street in London, and the interviewee is no less than Miss Erica Masters, a legendary production person in our industry, sadly not living in this country any longer. I have the pleasure of doing the interview, my name is Sydney Samuelso[…]

[…]s the centre of a tremendous battle between Microsoft and Stapleton Stapleton when he was a business manager, Microsoft was the creative in charge of production chat. And there was a dark horse or two in the background as well, all of them were doing their best to try and be the top man and an actua[…]

[…]sgrave: So you'd moved from Ryde.John Aldred: Yes we were living near Hayes, Middlesex, at the time. I went along on the Monday morning and the first production was a comedy called Wanted with Zazu Pitts and Claude Dampier. I was very impressed when I saw the first day's rushes - I didn't know what […]

[…]l television started up. It was indeed all the dead beats and the hacks from radio and BP pictures. That's great man who went pouring into the agency production so really as well, just to ask the question. That's what I know of the period, you were quite unique in approaching it from an advertising […]

[…]fferent in those days, it wasn't, sort of, fighting for your job or anything. If your face fitted, everybody was nice to you. So they put me into the production office, with the production manager who was doing Alex's set of short films. There was Lobsters... (what was it?) The Gannets...Sidney Cole[…]

[…] issues - comparing cameras and back-projection techniques. He recalls the production of many films, including King of the Damned, The […]