Search Results for: Production

[…]ross cutting and so on. And it was a source of great satisfaction to me when the film was subsequently trade shown and one comment was made about the production was about the editing. So I really felt that I'd been successful there. And thenStephen Peet  42:50  just one more thing, did you[…]

[…]end of six months it was sink or swim. You either left or they extended the contract and, you know, I was quite lucky because I'd done quite a lot of Production of bits and pieces. I'd organised a festival in Edinburgh and all the rest of it so, I mean, I had that kind of skill in my background and […]

[…]l was my deputy throughout my time as Head of the Film Department and Paul effectively ran the commercial side of the IWM Film Archive: he headed the Production Office with great success. He had really good relations with the film production community. He was the leading light in FOCAL, FOCAL Intern[…]

[…]ed on readings from the original cassette recording.Tape 1 Side AThe copyright of this recording is vested in the BECTU History Project. Mary Harvey, Production Secretary, Confidential Secretary. Interviewer Teddy Darvas. Recorded on the 6th of November 1996. Side One.We’re going.Yes. Okay.Righ[…]

[…]00 different sources, you have to develop a different sort of system for your unused text cuts and overs and spares from what you will for continuous production, I think continuous original material.Michael Legard  42:49  It sounds like a bit of a drudgery that they're having to scratch on[…]

[…]. You see I was eighteen by then and they wouldn't take anyone under eighteen, at least not to work on the floor or in sort of any way connected with production, because of the hours - they had to finish at six o'clock, I think.Alan Lawson: That's right, yes.Leonard Harris: But anyway I worked there[…]