John Krish

[…]nt there and I was told they'd moved to Denham. And I got the name of the woman who was responsible for employing people, who I was told was called a Production Manager. And being very cheeky, I went to Denham, and found myself confronted by police at the gate, very high security then - this would h[…]

Wendy Toye

[…]y exciting or unusual or different, but because of that people saw in the studio that I had done a lot of that sort of work and Donald Wilson was the production manager on it. He might have been first assistant, he might not have moved up to production manager in those days, but it was he who then g[…]

James (Jimmy) Gilbert

[…]ys would just do it I was sent for special tuition. If I was playing a leading part I had to go and get lessons, singing lessons, I had to get voices production and movement, in other words had to do it properly. I got quite a good indoctrination that way, played the piano, and learned the guitar la[…]

Denis Forman

[…]eople inside the COI,the senior officers in the COI were likeable people. There was Jack Beddington, there was RonnieTritton, then there were lots of Production Central Officers at the same level as myself like PhilipMackie, Peter Shaw, Marie Bowen, they were all nice people I mean they were there f[…]

Barbara K Emary

[…]ivate money I think at that time, a man called Norman Loudon ran it and I was there for quite some time. But I graduated from publicity to helping on production which I thoroughly enjoyed.BA: Can I interrupt, what year would that beBE : It wasn't until 1933, 32 or 33 .BA: So it was well into the sou[…]

Lionel Banes

[…]bsp;then I started on a film.Unknown Speaker  6:00  On the Yes, I started on the day that the filmUnknown Speaker  6:05  commence production.Unknown Speaker  6:07  The Hound of the basket. Oh, yes. I mean, what were your duties then?Unknown Speaker  6:14  Load[…]

Tilly Day

[…]ualitatively about her life and work, in the second session she is looking through photographs identifying various cast and crew members on different productions. Many of the stories told in the second session repeat material from the first session. Day is 84 years old at the time of this interview,[…]

David Robson

[…] wanted to do, we wanted to turn VTR into a production tool, we didn't like the idea of just recording […]
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