Search Results for: Production

[…] and resources of the History Project volunteers and encourage greater production autonomy. To this end, one key individual (e.g. the […]

[…]imation people hang around with ponen, Dean and left. So I arrived just after that period. And Marina was obviously the major director there. And the production managers a guy called Harry Pousti, who had no film background, presumably, in fact, I think he came from a travel agency. So I remember, b[…]

[…]o, within Unit Sixty Five there would be a team of you, a group of you making these films? R: Yes. I: Did you have a particular role in the production process or was there anything that you particularly liked more than other things about it? R: I started off, as most people did, doing[…]

[…]- it was very advanced at the time, so that was in the mid seventies so they broadcast in black and white to all the schools in Glasgow. They had two production studios where they made programmes dedicated for that. They had a Film Department. John Gow worked there, as did Steve Beck so there's a lo[…]

[…]be a performer.DARROL BLAKE: You started very young ... How did you come to be in thefilm business? From the CV I see that you were a sort of trainee production secretary to begin with.RENÉE GLYNNE: I was something even before that.DARROL BLAKE: Ahh. What was that?RENÉE GLYNNE: We have to know it wa[…]

[…]Michael Peacock, John Cleese, Roy Godfrey. We made it look like enormous pool of talent – actually these were all the films I could find. Independent production sector didn’t really exist, kept at arms length by BBC & IBA. But it made an impact on Leon, who persuaded Whitelaw to move off ITV2. W[…]

[…] I hardly remember that one now. [laughter]But again, apart from that you were still contemporary designing weren’t you?Yes, yes I was.No big costume productions?Yes, no big costumes, no. And the first one I did on my own, eventually, I don’t knowhow I got it because after all, not many people knew […]