[…]sp;Danzigers [The Danziger Brothers], again through Sid Randall because his son Geoff Randall was clapper loader on most of the Warwick, and Eon productions eventually and at the time he was working at Danzigers on a television series. When one of Warwick pictures came up and, ob[…]
[…]e was, she should be people should talk about her. She was a great lady, you know, she just took over the Film Unit and looked after it. There was no production manager. She was the head of the secretarial originally, you know, head the office staff. And she just looked after everybody. Rodney […]
[…]ent comic films and I think you know the liberation of the camera i mean i i mean on six sided triangle which I was Boulting brothers gave me a production manager to do oversee the shoot, which we did in six days as we did in five days. And the reason why it is so quickly that the the silent t[…]
Alan Lawson 0:00 copyrighting of this recording is vested in the back to history project. Hugh Attwooll Feature Film Production Manager. Walt Disney's UK representative interviewer Sid Cole recorded on the 19th of November 1993 at Pinewood side, oneHugh Attwooll 0:31 we go, r[…]
[…]ll Studios, where I met Clifford Pember, who was art director to Herbert Wilcox. He was a well-known stage designer - he'd designed a number of stage productions in New York and a number in London as well. He was an old Wykehamist and he had been at the Architectural Association in his youth, had be[…]
[…]CHARLES SMITH: Yes, of course. It was with a small cooperative unit called DATA, DATA Film Unit. And I was taken on, really, in the first place, as a production manager and accountant, again because I could add up a row of figures, which not everybody can—although I wanted to be a technician.&[…]
