[…]f the way sort of business.[Laughter] I don’t know how true it was I don’t know but that’s the sort of thing you...And there was a guy on the, on the production side who I understand was working there for nothing because it was a glamour industry because he could afford to work there fornothing, you[…]
[…]t, Alan, I don't know whether you did, but it really was devastation, girders twisted like hairpins, you know, and so on. Anyway, that was the end of production briefly, but very briefly. All the pictures went, rapidly, into other studios and we kept going in some - one or two lines in British Inter[…]
[…]or there was GB News, and then there was G-B I.Kitty Wood : Hmm.Jim Connock : Now were you in the cutting rooms from the beginning or were you on the production side? It's always a little vague - or did you do a little bit of both in those days?Kitty Wood : I did a little bit of everything in those […]
[…] cameraman, filming the Royal Family, and the Coronation. 1960s - Production manager Pathe, then documentary producer BECTU History Project - […]
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[…] is credited with developing the ‘story documentary’. His most celebrated production in this period was Western Approaches (1944), shot at […]
[…] is credited with developing the ‘story documentary’. His most celebrated production in this period was Western Approaches (1944), shot at […]
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