[…]d to pass that knowledge on. And although one might not like the attitude of the or the antics of the American industry towards this industry, from a production point of view, when asked do I feel be honest about it and say that those Americans as a team did a very good job, and some of the really e[…]
[…] make story pictures and (2) I don't think we had the able people, the able filmmakers that could have really competed on a technical level as far as production was concerned. So as far as distribution was concerned we got hold of the...certainly the Soviet films - October. Of course one of the firs[…]
[…]d to pass that knowledge on. And although one might not like the attitude of the or the antics of the American industry towards this industry, from a production point of view, when asked do I feel be honest about it and say that those Americans as a team did a very good job, and some of the really e[…]
[…]x machines were not there, the conversion from originally sound on disc systems was pretty well obsolete by this time, it was all sound on film for reproduction in cinemas?A The wax machines were the hangover from ..... and in fact we had some - […]
[…] as remunerated and this was in trouble on the floor. We never went out from TechnicolourHe was one of the big one that you went out. We wanted a big production. I'm trying to think. Anyway, you were on Barrabas.But youdidn't get it. You weren't on film Barabbas.Alan Lawson 26:21 Anyway,[…]
[…]assette recording.Tape 1 Side A.The copyright of this recording is vested in the ACTT History Project. Side One. So, Elaine Schreyeck, Continuity and Production Secretary, you have it.Oh good.Alright. Now, you've read the thing, so we start off with the, you know, conventional background sort of thi[…]
[…] define the sorts of skills that you’ve brought to a production? 0:03:06 JOY: Well, I know it sounds funny but […]
[…] the most important one was the shift at the BFI Production Board, where Peter Sainsbury, who had been the editor […]
