[…] the producer, and a chap called Ian Ferguson was the production manager. I went along to be interviewed by Ian […]
[…] Board film unit in 1930 and was eventually head of production for the Travel and Industrial Development Association. The two […]
[…] You made a tremendous amount of money. It's quadrupled its production costs. Lee made a good job of it. You […]
[…] to design the film on Typee? There was an American production manager called Harry Templeton. There was American special effects […]
[…] the Studio System and some information o n some small production companies at studios like Twickenham and Wembley in the […]
[…] show for it: cue yet another collapse of our native production capability. I left for the USA without a backward […]
[…]sociated Rediffusion, who got the week time week day contract. So she encouraged me to apply to them. And I did so in the August and I got a job as a production assistant. I didn't really know what that was. But my friend Hazel said, it's an interesting job. And you'll be doing something different e[…]
[…]e shot by a camera man but if it was a talking head that was gonna run for five minutes, it needed a cameraman, an assistant cameraman, a director, a production assistant, perhaps an electrician, even, before long, a stagehand and in the, with the passage of time, this attracted the attention of a c[…]
[…] for Linda, la Plant. Next came my brother Dennis five years my junior, also a Film and Sound Editor and the youngest of the purveyors of food Steve. Production Manager assistant director worked on The Omen, Bridge too far. Gandhi and me come to next generation of Lannings to deal with Cliff Cliffor[…]