[…]top there. Okay, so you want to ask me something else? Madeline Smith 28:11 No, I'm just I'm interested in that particular production. Madeline Smith 29:25 My first... almost first. I've I've done another little bit, but I won't go into that.&nbs[…]
[…]sting thing was at the time, the BBCUnknown Speaker 59:36 wasUnknown Speaker 59:38 employing people for 12 months of the year production. Now you know, and I know you know, production and summer was a cutback in production, lead, lead, lead lead spraying. So what we did was w[…]
[…] dealing with high-contrast range of materials and high-density ranges, and also dealing with films that fall out of the colour gamut of normal RGB reproduction. I don’t know… that’s kind of a snapshot of what I do.PF: That’s brilliant, thank you. So, if we’re looking at that transitional period par[…]
[…]ho since then has done many different colour processes. And John Hemmings was our feature film contact man who would go off to the set and in the pre-production discussions about the rushes and the look and everything else. He came back to the lab one day and said to me “They’ve said to me there’s t[…]
[…]el supposed to be like? No harm in saying we played it safe I guess, you know. We went for what we felt would be reasonable for that period of film reproduction. One other thing I was gonna note was the optical effects. There’s a few mixes, dissolves in the film and they… they’re not as good quality[…]
[…]tle, which John was captured. Loudspeakers were playing music from trouble in paradise, which I thought was very appropriate. This was actually for a production, was it? Or whether this was a parade, or they actually for film production? Oh, it wasn't fulfilled. No, this is a sort of celebration, a […]
[…]to outperform the ITV Network in Scotland, others are looking at the performance of our digital businesses and then we have two KPI's which cover our Production business. Basically, we've kind of, we, it's a mixed bag and it always has been and I expect it to be a mixed bag! If we hit every KPI ever[…]
[…]w upon row, raked, film cans and shelves, all the way round as far as the eye can see! And, as I say, there was actually two libraries. There was the production library, which looked after some of the altered films which STV used to make themselves, stored it; there was also the tape library as well[…]
[…]umbs on the table, human signs of actually just being a person like you, was the bit that the film department gave you that the bigger team of studio production have an imposed control on situations, didn't allow people to be absolutely one hundred percent human. So when I sat and had dinner with, y[…]
