[…]But that was also Bruce Woolfe.Peter Birch : Mary Field, Donald Carter, he was a sort of administrator. There was Harold Goodwin.Alan Lawson : He was production assistant.Peter Birch : Well he would write scripts and that sort of thing.Alan Lawson : Can you remember much about the Gaumont British In[…]
[…]the forerunner to Eastmancolor) which could only be processed at Rochester; they started a film about the work of the RAF; Oscar Deutsch died and the production was shelved.00:10:50 – 00:24:20 RAF film unit was formed at this point; SS was sent to Takoradi, West Africa; his first job in Africa was t[…]
[…]the most beautiful countryside in the world. I um...Sidney Cole: You made for London then, did you?Bernard Vorhaus: Yes. And I was offered a job as a production assistant for a company - British Talking Pictures - it was - it was an offshoot, they had Wembley Studios.Sidney Cole: That's right, I rem[…]
[…]ment in,oh no, no, The British film Institute organised a committee called the British Film Institute Experimental Production Fund andTony Richardson and I submitted a script for a half-hour 16 mm do[…]
[…]e not Gainsborough.Sidney Cole : Halliwell has 'A Girl in a Million' done as later in date, he's got it as 1950.Alan ? : Is going by release dates or production dates?Sidney Cole : Well that's always the problem, you never know because it might be nearly a year before a film is released and all thes[…]
[…]on books and play rath than original writing. That's one. The other subject is the influence of the distributors on the production industry. Let take the first one first. Was there kind of ethos that only the printed page was respectable.
