Search Results for: Production

[…] by making a gift or donation, such as:- Funds for vital production equipment and other necessary resources Funds for ongoing administrative […]

[…] available to be shared as part of our national legacy. Production The earliest interview recordings, made between 1987 and 2000, […]

[…]g you've ever seen on television, just a lot of it was experimental. We come up with new ideas. And they say, oh, yeah, we'll do that. We'll do that. Production supported us wonderfully. If we thought we could try something different. They say, Okay, try it out, see if it worked. When digital came i[…]

BEHP transcript DisclaimerThis transcript has been produced automatically using Otter.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interv[…]

[…] Devine at, across the road, what's that? The theatre! I: Oh, the Pavilion! R: The Pavilion! That's it! So, virtually the whole independent production staffing, anyone we hired, oh well, Russell hired, STV's O.B. Unit and we did the Sidney Devine show there, which was a laugh. They said to[…]

Martin Spence  0:00  Okay, this is a British Entertainment History Project interview with Penny Woolcock. It's the 24th of April 2019. We're at Penny's home in north London.Camera's being operated by Nick Gilbey. Interviewer is Martin Spence. And the interview is copyright of the British E[…]

BEHP transcript DisclaimerThis transcript has been produced automatically using Speechmatics.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this[…]

BECTU History Project - Interview No. 539[Copyright BECTU] Transcription Date: 2004-03-18Interview Date: 1972-05 Interviewers: Jim ShieldsInterviewee: Bill Welch  Jim Shields: We're at The Gate Recording Theatre at Elstree with Bill Welch who was the props man there - it may be o[…]

[…]ork of Superman flying which was very exciting work – separation issues in the colour film; Pinewood changed the side of the road you drive on during production of Supergirl as it was an American crew.00:09:20 – 00:14:35 Cartlon Communications took over Technicolor circa-1990 (David Cameron worked h[…]