[…]hat we were over-selecting. It was over-rigorous and I came to a conclusion quite rapidly that it was important for every country to preserve its own production, irrespective of whether it was crap or not, and every country should preserve everything produced in its own country if it could. That was[…]
[…]eople inside the COI,the senior officers in the COI were likeable people. There was Jack Beddington, there was RonnieTritton, then there were lots of Production Central Officers at the same level as myself like PhilipMackie, Peter Shaw, Marie Bowen, they were all nice people I mean they were there f[…]
[…]before they'd even shot it?Unknown Speaker 1:33:41 Yeah, I wasUnknown Speaker 1:33:44 put off by the attitude, I must say, of production people who would be asking us to black films that they were still working on,Unknown Speaker 1:33:59 right through the industry[…]
[…] yes, Wembley was a KS, yes, but there was also, there were people there at Wembley who were army. AKs, well, they certainly had. They were, did some production there. I can't they did they, I thought that they having been in the both sides and not myself, he was not actually army films, right? AKs […]
[…] wanted to do, we wanted to turn VTR into a production tool, we didn't like the idea of just recording […]
[…] Kemp-Welch: No, no. Roy Fowler: These came in for the production...yes? Joan Kemp-Welch: No...and we did The Hairy Ape by […]
[…] Beddington, there was Ronnie Tritton, then there were lots of Production Central Officers at the same level as myself like […]
[…] limitation) loss of or damage to profits, income, revenue, use, production, anticipated savings, business, contracts, commercial opportunities or goodwill. 11.6 […]
[…] limitation) loss of or damage to profits, income, revenue, use, production, anticipated savings, business, contracts, commercial opportunities or goodwill. 12.6 […]
