Terms of Use

[…] limitation) loss of or damage to profits, income, revenue, use, production, anticipated savings, business, contracts, commercial opportunities or goodwill. 12.6 […]

Chris Kelly

[…]y when he got to an age of it, like Shirley Temple, the time came, you know, your time is up pal, actually, and he went to work on you know, became a production manager. And Julius the the other son, he died on location, funnily enough in Africa, as well. And it was the same sort of sad demise if yo[…]

David Robson

[…] anything else for that matter, would phase automatically. We thought this was the answer, because what we wanted to do, we wanted to turn VTR into a production tool, we didn't like the idea of just recording and transmitting, anybody could do that. As long as they knew how the machines worked and d[…]

Vernon Sewell

[…]t of the end, a lot of the script he re-wrote at the end himself.Roy Fowler: How did the Archers come into this?Vernon Sewell: It was their production.Roy Fowler: Yes...Vernon Sewell: 'The Silver Fleet' was an Archers production, Mickey Powell was producer.Roy Fowler: Right.[…]

Gerald Chambers

[…]ty of the of the film, it was quite good.Roy Fowler  21:50  One last question for me. JOHN, was there any native New Zealand film industry? production?Gerald Chambers  21:57  Well, yes, there was the National Film Unit in in Wellington, with whom I made the film later, later on i[…]

Cynthia Moody

[…]Cole. Ralph Elton was around, hewasn’t with Shell but he was very much around in that particular group of people. There was, Betty Lurid [ph] was the production manager. Who else was there there? I reallydon’t remember, you know.            […]

John Dark

[…]oth sides with members or ex members of course I know. Well I think it was one of its main things that was wrong with it actually. I don't think that production people should have been could have had a separate union because of Iran. Of course because of course you've got crushed you couldn't take t[…]

HP0323 Eileen Diss – Transcript

[…] over it; we will pay you nine pounds a week!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!2!Roy!Oxley!(1899G?)!was!a!British! production!designer!at!the!BBC,!he!won!a!BAFTA!for!his!work!on!The$Portrait$of$a$Lady!in!1969.!3!Peter!Bax!was!a!production!designer!at!the!BBC,!he!worked!on!productions!including!Hamlet!(1947)!and!Macbeth!(1949).!4!Patricia!Foy!(1922G2006)!was!a!British!producer!and!dance!for!programmes!including!The$Magic$of$Dance!(1979)!and!The$Margot$Fonteyn$Story!(1989).!! I: And were you still living at home at […]

Moira Armstrong

[…]r, what PA meant in those days and your association with Jim? Well, PA in, in those days in fact was somebody who helped the director. There was a, a production assistant that it’s called now, who in fact who typed the camera script and did all the sort of paperwork attached to, to doing a show. In […]

John Wiles

[…]ea. And we the thing about Merton Park, was it it did a lot of different things we used to have a lot of feature films came in not for their complete production but because either they'd run over at Shepperton or something or they'd done retakes and all that sort of things. And I was just thinking t[…]
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