[…] May the 10th 1941 the night the St Paul's night then I came and the door right he was so productive about doing the right productive. We had a woman production manager who was very unusually but the very chauvinist outfit the key pair for me but it was decided that we put the unit's we've got not s[…]
[…]bout designing for silent films. Did you work for any of the Mid-West chains?C. D. No I didn’t do any film work out in the States.R. F. I didn’t mean production work. You said stage work.C. D. Oh yes, that was in Canada.R. F. In theatres rather than cinemas.C. D. No not cinemas. Stage shows. It was […]
[…]and this is better than going to any university and to work with brains like that, absolutely incredible. And then I was given as a sort of a PA full production assistant to Marius Goring. Great actor, great writer, great broadcaster, who had recently as the war broke out, written and starred in thi[…]
[…]a, it wouldn't be a bad idea, it wouldn't be a bad idea if I kind of got another string to my bow and learned a bit about that, and maybe do a bit of production or whatever.Because don't forget, nobody quite knew where it was goingin those days. I mean second guessing it now is quite easybut there w[…]
[…]ink, drop a beer, but he always said to me that while there as I say, was our recent makeup man. But he always told me that he was working on a production. He would not touch any drink at all, because he thought it was unfair to the artist to make up the faces or any other things you have to d[…]
[…]S rail. LMS Yes, LMS rail, London, Scottish Railway. This one, the one there, London. Scottish Railway Board also authorized money to be spent on the production of a number of films to show the staff the other man's job.Speaker 3 14:57 Now I. Just at that time, of course, I was also by t[…]
[…]ualitatively about her life and work, in the second session she is looking through photographs identifying various cast and crew members on different productions. Many of the stories told in the second session repeat material from the first session. Day is 84 years old at the time of this interview,[…]
[…] CV I see that you were a sort of trainee production secreta ry to begin with. REN ÉE GLYNNE: I […]
[…] to a studio. John was a producer on it, a production manager, so we went in there, at BIP, well […]
[…]hat experience.Unknown Speaker 6:12 Out of that, well, not out of that came another step away to Channel Four. This was a big independent production, I said big because of the scope and scale of it. There was a musical on in Russia in Moscow, called Juno and a vos. It was extremely contr[…]
