Jonathan Balcon

[…].Roy Fowler  3:56  CM, CMJonathan Balcon  9:43  CM Wolf sorry, CM Wolf yes, I do get names wrong. He formed with Victor Saville a production company making advertising films. This was in 1919 and it was not unnaturally called The Victory Motion Picture Company. And Victor Saville[…]

Adrian (Andy) Worker

[…]ciated and I wanted to be a part of it. And when I went to The Bush they said to me, "You stay until the war is over and then we'll help you get on a production," which they did. Roy Fowler: Ah hmm, good. So you were a moviegoer, presumably? Andy Worker: Hmm, two or three times a week! [Ch[…]

BEHP 0721 T NORMAN J

[…] dio in France but their cutting and all the post production was done in London. So when I was working […]

Johnny Goodman

Johnny Goodman ( Production manager/Producer) 15/10/1927 - ? by admin — last modified Jul 27, 2008 02:14 PM BIOGRAPHY: Johnny […]

Gerard "Gerry" Anthony Morrissey

[…]working in huge shows. There was automation coming in. There was no extra money. So I dreamt up this thing that still goes on to this day, called pre-production meeting. So I said, “Well, what we should have is, is a pre-production meeting. And every pre-production meeting, we get extra money for we[…]

Pamela Mann-Francis (nee Mann)

[…], Worton Hall combined with Shepperton. So I was a secretary, and then, just let me think of the order of things. I wanted, by that time, to get into production. It seemed to be great to get into production. Publicity was... and I was, I had a girlfriend, completely independently of the industry, wh[…]

Jimmy Wright

[…]oting at Cannon. I think they were making the thief of Baghdad then and uh production stopped. The Americans went back to America and uh everyone thought there […]

Norman Warren

[…]with the commercials side. And, secondly all the shooting of those were done in Paris. They had a studio in France but their cutting and all the post production was done in London. So when I was working with him which was in Clarges Street in Mayfair, they had the cutting rooms in the basement. […]

Virginia McKenna

[…]te different now, I think.[2]JR: And were you beginning to feel the urge to do drama?VM: Well, Heron’s Ghyll was quite well-known for its Shakespeare productions, which they did once a year in the grounds. There was a most huge and wonderful copper beech tree and they floodlit that area. We used to […]
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