Peggy Gick

Peggy Gick (art director/ production designer) b.1911 by admin — last modified Jul 27, 2008 02:13 PM BIOGRAPHY: Peggy Gick […]

Waris Hussein

[…]which was a year later, I joined the Cambridge University's Mummers and the ADC and my career as a director took off. My  first significant production for the Mummers was Ondine by Jean Giraudoux and it was a huge hit. I'll never forget that John Tusa played the Knight, the eminent John Tu[…]

Betty Willingale

[…] gradually took on writers to train as script editors to help with the, you know, the new, well the new wave really because in those days most of the productions that went out were theatre based and writing for television hadn’t become the art it did later. And poor Michael Barry who ran the departm[…]

Bob Jordan

[…]sp;Danzigers [The Danziger Brothers], again through Sid Randall because his son Geoff Randall was clapper loader on most of the Warwick, and Eon productions eventually and at the time he was working at Danzigers on a television series. When one of Warwick pictures came up and, ob[…]

Francis Gysin

[…] to Cambridge I used to devote the long vacation to working with Paul rota productions as it then was in those days. And then when I came down in 43&n[…]

Angela Allen

[…]always wanted to go into the entertainment industry, I actually wanted to act, and that was my ambition.Were you in any sort of school plays or drama productions?They didn’t do very much and of course I was at school during the war, there really wasn’t a tremendous amount of you know activity on the[…]

Roy Parkinson

[…]what it was all about. There was a picture being made On Top of the World at Shepperton. Tony Nelson Keys [Anthony Nelson Keys] was the PM [Production Manager] and I don't know how but I suppose through Norman Lee's influence I got a job as the 3rd assistant. That had Betty Fields playing […]

John Aldred

[…] Borehamwood studios, after about two years he moved back into production as assistant dubbing mixer. Worked on various films , […]

Bernard Gribble

[…]hould have been junked really. But it went through many stages. There was one scene where a man told a joke in in the red lion which was a set of a reproduction of the red line across the road. Now nowadays what you would do you wouldn't build a set you go across the red line and you shoot it. But i[…]

Brian Shemmings

[…]to have big print on this big print orders. The diatribe. I mean most most productions carried you know we had two to 300 print order on on a first fe[…]
Scroll to Top