Search Results for: Production Assistant

[…] Despite other successes in the 1940s, he worked in B-feature production, particularly horror films, for much of the 1950s and […]

[…] the producer, and a chap called Ian Ferguson was the production manager. I went along to be interviewed by Ian […]

[…] issues - comparing cameras and back-projection techniques. He recalls the production of many films, including King of the Damned, The […]

[…]him and I imagine he wanted to cream off a bit from the firm, but in any case it was marvellous for me because we went to, then, to Publicity Picture Productions, which were in Dean Street I think. No they weren’t, we were in Darblay Street, sorry, in Darblay Street. And of course that mea[…]

[…]- it was very advanced at the time, so that was in the mid seventies so they broadcast in black and white to all the schools in Glasgow. They had two production studios where they made programmes dedicated for that. They had a Film Department. John Gow worked there, as did Steve Beck so there's a lo[…]

[…]y warning about climate change – this is all in the seventies – but he hadn’t worked on The World at War, which was the Thames Documentary Department production in the early seventies, and he’d always, he’d quite fancied the idea of looking at a historical subject, making a film on a historical subj[…]

[…]gh in my leaving party said that I was probably the person who invented this step up for female staff between the typing pool and the continuity girl production assistant is now called, and getting somewhere more creative. I was nearly thrown out several times the bluerinse, ladies in BBC staff appo[…]

[…]. You see I was eighteen by then and they wouldn't take anyone under eighteen, at least not to work on the floor or in sort of any way connected with production, because of the hours - they had to finish at six o'clock, I think.Alan Lawson: That's right, yes.Leonard Harris: But anyway I worked there[…]

[…]on became part of the story. Like, for instance, if I describe the first three that fell to me to make very quickly. In fact the first one was a long production that I kept coming back to, was a story of a chief, true story of a chief, who lived in a very cut off part of Southern Rhodesia and there […]