[…]ualitatively about her life and work, in the second session she is looking through photographs identifying various cast and crew members on different productions. Many of the stories told in the second session repeat material from the first session. Day is 84 years old at the time of this interview,[…]
[…] wouldn’t of course change the quality or anything of the production but, he was thinking of things being shot in […]
[…] to a studio. John was a producer on it, a production manager, so we went in there, at BIP, well […]
[…] this interesting character, Walter Mycroft, who was in charge of production at the studios. He was a small man who […]
[…]vidual award. They're always teams.Unknown Speaker 1:11 So yeah, in theory, I've got a BAFTA, but I don't physically have it. It's in the production office of spring watch. Okay. Yeah, I know that feeling is.Unknown Speaker 1:19 So just going right back to the beginning. Did […]
[…]M: Well, the – with Fred Pusey, before television started, they had a company called Associated Rediffusion.DB: Yes. 20 minutes. PM: Future productions, I think they were and they were stockpiling. Little vignettes. Fifteen- or ten-minute little episodes. Something to put on the television[…]
[…]n of course there was the famous 1984, which caused the most enormous scandal because of the rats and all that, but it was a wonderful production, and the BBC repeated it regardless. I mean they’d done it on a Sunday and they did it again on the Thursday.[end of side] [46:07]Nancy Tho[…]
[…]r I got a letter saying please call at Stoll Studios, Cricklewood at 9.00 on Monday Torning. I went to Sinclair Hill's office who was the director of productions and sat down – he offered me a cup of coffee and a cigarette – and I was in. I saw Ossie Mitchell and he said you can start right away – £[…]
[…] well, as a sort of PA, they called them then, Production Assistant, which wasn’t then the secretarial side, it was research […]
