John Ammonds

[…] with respect.. John Ammonds  22:02  [LAUGHTER] But no then then this but that of course was wonderful experience again, the production. I wasn't obviously very interested in and I got some music "Music  While You Work" and dance band shows, I wasn't as interested […]

Edward (Teddy) Carrick (Craig)

[…]f excursion into theatre at about this time I think because in your biographical notes to that Academy later on, you credit yourself with directing a production of "Macbeth".EC: Oh yesSC: Tell me about that.EC: Now that there were no films to do, in between jobs, the next job was with Basil Dean. I […]

Barbara K Emary

[…]ivate money I think at that time, a man called Norman Loudon ran it and I was there for quite some time. But I graduated from publicity to helping on production which I thoroughly enjoyed.BA: Can I interrupt, what year would that beBE : It wasn't until 1933, 32 or 33 .BA: So it was well into the sou[…]

Cyril Howard

[…]nbsp; a rnan  called  Bill  Able, and our ultimate boss was Tim White , he was chief production manager, and he controlled the making of the films being made by Independent Producers, Indepe[…]

Philip Leacock

[…]hat would collect dirt. Everything was worked out by the Design Council, this was the worst thing and had people... I'm not sure if it ever went into production but they were certainly very interested in it! [laughs]Stephen Peet: There seems to be a bit of confusion in the lists of credits because y[…]

edward-carrick-history-project

[…] Sid Cole, Alan Lawson Interviewee: Edward Carrick (Craig), Art Director/ Production Designer Sid Cole: Te d d y, i t […]

John Wiles

[…]ea. And we the thing about Merton Park, was it it did a lot of different things we used to have a lot of feature films came in not for their complete production but because either they'd run over at Shepperton or something or they'd done retakes and all that sort of things. And I was just thinking t[…]
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