[…] Fowler: The way pictures went through, the process, there is the writing section, howearly was the liaison between what they were working on and the production departmentand the art and department. How long the lead timeMaurice Carter: It couldn't be very much. I don't think we had a script much mo[…]
[…]now. Who else Tony Harvey was at Highgate but he was younger than I and I I saw him once reall because he played the dauphion in a school production of Bernard Shaw's St Joan somewhere around about 1945, I think to remember, he's very good. And in fact, I remember seeing it. But and I th[…]
[…] today. And I imagined it would have completely deteriorated even if it had I mean, it was Roy Fowler 12:19 these were his productions, or Ronald Neame 12:21 they were in conjunction with with Cecil Hepworth. I think Roy Fowler 12[…]
[…]rama. Panorama went on…I was…the Talks Department then became the Talks and Current Affairs Department, divided into three departments, Tonight productions…I mean, this was the time…by that…this was the time when Donald Baverstock went up the road to Television Centre to become the Assistant t[…]
[…]t . Anyway that film was made in Berlin and we actually have a copy of that film and my mother had a small part in it.Furthermore there’s a wonderful production still that we’ve got of the whole crew in front of this ghastly, cheap looking set. But it’s interesting because it’s got three cameras all[…]
[…]ler: Also it wasn't a total film fan magazine. What I liked about it were the stories from behind the camera. They always gave you a list of films in production, and I thought I'd love to get round a studio and see what's happening. So I looked at the films "Upcoming" and I saw that Cineguild had a […]
[…]really knew nothing. I did actually apply for a job in 1938, to Alexander Korda and had a very nice letter from somebody called David Cunningham, the production manager at London Film Studios, who interviewed me and said, yes, they might be prepared to take me on as a trainee assistant editor at a s[…]
[…] camera. They always gave you a list of films in production, and I thought I'd love to get round a […]
[…]t he paid you.VG: I honestly don't remember but I would have thought if I got £50 I would have been very very lucky.RF: And this was taking the stage production, the book of the stage show and adapting it.VG: Yes.RF: Did you stay with it for the shoot?VG: I was in it, I played one of the juvenile bi[…]
[…]Well, yes. ADennis Kimbley 33:25 lot of them Desmond Dickinson. Norman Langley. JACK Carter. Yes, Brian Brian. Brian. Roman Langley was a production manager, jack Carter card ofRoy Fowler 33:38 yours.Dennis Kimbley 33:40 Geoffrey Unsworth. And I think he was might[…]
