Gerry Humphreys

[…]painters…AL It was permanent crew?GH Oh yes permanent crews.  There was no four walling in those days. [21.33]  And if there was a break in production you were still kept on.  Redundancies were just unheard of.AL Well only for indiscipline.GH Well yes.  Indiscipline or if you had[…]

Gerald Chambers

[…]ty of the of the film, it was quite good.Roy Fowler  21:50  One last question for me. JOHN, was there any native New Zealand film industry? production?Gerald Chambers  21:57  Well, yes, there was the National Film Unit in in Wellington, with whom I made the film later, later on i[…]

Gerry Fisher

[…]d about a week learning how to do it from this boy's gonna leave go in the army. And I became the central loader, as it were, there was more than one production there at the time. So I had to sort of service more than one picture, load, the film, taking on the set, and so on, keep the stock accounts[…]

James (Jimmy) Gilbert

[…]ys would just do it I was sent for special tuition. If I was playing a leading part I had to go and get lessons, singing lessons, I had to get voices production and movement, in other words had to do it properly. I got quite a good indoctrination that way, played the piano, and learned the guitar la[…]

Geoffrey Conway

[…]spa: Did you do an apprenticeship in engineering. Geoff Conway: No. There were no apprenticeships at the time, during the war. It was just plain production line mostly. I was getting training in machine setting. Manny Yospa: Because there was quite a bit of training for mechanical work.&nb[…]

Len Runkel

[…]before they'd even shot it?Unknown Speaker  1:33:41  Yeah, I wasUnknown Speaker  1:33:44  put off by the attitude, I must say, of production people who would be asking us to black films that they were still working on,Unknown Speaker  1:33:59  right through the industry[…]

Cy Young transcript

[…] He bought Everybody a present at the end of the production you know that who me as in some ways […]

David Robson

[…] wanted to do, we wanted to turn VTR into a production tool, we didn't like the idea of just recording […]

L

[…] Maurice Elvey and Herbert Wilcox. He gives accounts of the production of Victoria the Great and Brief Encounter (1945) and […]
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