[…], I mean, David did live up there in Birmingham. I mean, he had quite a big house, he lived like a Country Squire, outside Stratford. And some of the production and the production managers and the FM's and so forth, all tended to have settled in in Birmingham. We actually commuted for throughout the[…]
[…]en working on; she was asked to meet with Anatole Litvak to discuss The Deep Blue Sea; she met Terrance Rattigan at Shepperton; Vincent Korda was the production designer on the film.00:17:00 – 00:26:30 JR describes her initial designs for The Deep Blue Sea which Vincent Korda agreed to purchase; JR […]
[…], or anything like that. It was all go. You know. Film came off the bench, out of the editors, hands into a bin, and that's where it stayed until the production was finished. Then it all got junked or something. I think we used to put it in tins, actually, but so really it was, was remembering where[…]
[…]th. But we were in the studio by and large and over on East 52nd Street by the river, which was the warehouse where the sets were made and stored and production meetings and things were held. So we were kind of a family a first names gang as I said before and not as disciplined as we might have been[…]
Alan Lawson 0:00 copyrighting of this recording is vested in the back to history project. Hugh Attwooll Feature Film Production Manager. Walt Disney's UK representative interviewer Sid Cole recorded on the 19th of November 1993 at Pinewood side, oneHugh Attwooll 0:31 we go, r[…]
[…]like, and I met them all in the course of that 17 years, carpenters, painters, scenery, all of them.RF: How about the executives and the senior production staff Balcon and such people as Sid for example.UB: Very, very nice, I got on very well with them. I used to come into contact them, they u[…]
[…]ng like 1,500 films, commercial films, TV commercials and as I told the audience the other day in Zagreb, (you must have been there?), that after the production of 300 TV commercials one is ripe for the asylum! And I was there under false pretences. Just like now the only excuse for making TV commer[…]
[…]ink, drop a beer, but he always said to me that while there as I say, was our recent makeup man. But he always told me that he was working on a production. He would not touch any drink at all, because he thought it was unfair to the artist to make up the faces or any other things you have to d[…]
[…]S rail. LMS Yes, LMS rail, London, Scottish Railway. This one, the one there, London. Scottish Railway Board also authorized money to be spent on the production of a number of films to show the staff the other man's job.Speaker 3 14:57 Now I. Just at that time, of course, I was also by t[…]
