John Schlesinger

[…]From The Madding Crowd is going to turn out. But meanwhile I was working at Stratford for the Royal Shakespeare Company and I was preparing to do the production, and in fact did it, with Peggy Ashcroft at the Aldwych of a Marguerite Duras play, Days In The Trees. And at weekends, Richard MacDon[…]

Charles W. Smith

[…]CHARLES SMITH: Yes, of course. It was with a small cooperative unit called DATA, DATA Film Unit. And I was taken on, really, in the first place, as a production manager and accountant,  again because I could add up a row of figures, which not everybody can—although I wanted to be a technician.&[…]

Fred Tomlin

[…] "well that's it then," you see. So the picture stopped. So anyway, the next thing I was called into the office you see, as the unit steward, and the production manager said, "What are we going to do about this?" I said, "Well I tell you what, you're not going to sack old Bob, we're not going to hav[…]

Frank Littlejohn

[…] masking which I think was rather new. BH: Masking had been studied in colour reproduction but doing it on a continuous printer scale, it involved running separate strips with your positive&[…]
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