Search Results for: Production Assistant

[…]y'd finished the film but they couldn't get the music right, so that was a horrible warming. We started up when I was there Cambridge University Film Production Unit and we made a film which was called Psychology Today. The camera had been left there, it was a hand cranked, I think Stuart Legart had[…]

[…]point of view in a way.2. Changes in frame sizeAG: Over the years changes have taken place in the frame size. What were they, and how did they affect production - if at all?BL: They certainly did. The original frame size was what we call the standard frame, and this extended edge to edge of the perf[…]

[…]r, Von Verer who escaped, a German POW we had that escaped. That was made at Pinewood and on location.Arthur Graham: To go back again Eric, what were production techniques like in the early days and how did they change over a period of time?Eric Cross: You're going back to the silent days now are yo[…]

[…] got in touch with Watkins, got in touch with the production office in Dingle. There was no need for it […]

[…] got in touch with Watkins, got in touch with the production office in Dingle. There was no need for it […]

[…] #174  540 minute interview Maurice Carter t/role:  Art Director and Production Designer Maurice  was born on 24 April 1913 in […]

[…]s beginning it. So for me, it was a lot more harder. I had to work, not hard work, so much harder to be accepted. I remember there was one particular production assistant, who just treated me like a brat. And, you know, I hated working with her. But then it became a it became a challenge to win her […]

[…]o you remember McCallum, which was about, it was based in London actually, it was quite a new venture for STV! I: Is that when they produced SMG Productions? R: Yes, I think it probably was. I'm slightly hazy now about when that actually kicked in. I: What actually was that? R: W[…]