[…]when I took over producing Saturday Club, I obviously did get to meet them more regularly and get involved in it. 25:50 MDTell me about the production team… working on Saturday Club… I mean… the kind of characters… the people who you fondly remember now. BAMost of the rest of th[…]
[…] brought down ceiling at Down Place. Development at Bray.16.40Early Hammer films. Progress to First Assistant by 22 years old. Tony Hinds promotes to Production Manager. Hated it. Vernon Sewell.19.20Early films at Down place. Robert Preston. George Brent. Paulette Goddard. Elizabeth Scott. ‘The Stol[…]
[…]ng out. Because, you know, we there's no way we're going to be able to write a scope this and reshooting it. Bear in mind the various issues with the production of "Brazil "was going to be very unlikely, and it was quite a key sequence. So one of my optical printer technicians, and I worked basicall[…]
[…]ere. And I got, I was talking to Basil Appleby, do you remember Basil Appleby?No.He used to be an actor and then he went in to the Army and he became production manager sort of thing in the Army and then he went and he was a producer in Australia.Oh.Did quite well for him, very well for himself. And[…]
[…]red what was going to happen. But because I think ESL really, they did just want the educational film library, what they got was a film library and a production company. So the first thing they did was to shoot the film library down to Bristol. Now they were stuck with this sort of racehorse that ke[…]
[…]t go in the main door of the lift, they had to go into the side door of the lift. Anyway, I was in the lift one day and the lift stopped and the then assistant general sales manager came in and said something like "Morning Hogarth", something like that. And I said, "Morning Mr. Faber." He said, "Oh,[…]
