Michael Clarke

[…]00 different sources, you have to develop a different sort of system for your unused text cuts and overs and spares from what you will for continuous production, I think continuous original material.Michael Legard  42:49  It sounds like a bit of a drudgery that they're having to scratch on[…]

Geoffrey Conway

[…]spa: Did you do an apprenticeship in engineering. Geoff Conway: No. There were no apprenticeships at the time, during the war. It was just plain production line mostly. I was getting training in machine setting. Manny Yospa: Because there was quite a bit of training for mechanical work.&nb[…]

Graham Hartstone

[…]said Time went anyway, in fact it was all right. It had a bit of a dent in it which I hammered out with a brick that went on to be used for many more productions. Jim Betteridge  12:26  What were you recording to Were you always recording money or Graham Hartstone […]

Mary Harvey (Welford)

[…]ed on readings from the original cassette recording.Tape 1 Side AThe copyright of this recording is vested in the BECTU History Project. Mary Harvey, Production Secretary, Confidential Secretary. Interviewer Teddy Darvas. Recorded on the 6th of November 1996. Side One.We’re going.Yes. Okay.Righ[…]

Dennis Main Wilson

[…]and this is better than going to any university and to work with brains like that, absolutely incredible. And then I was given as a sort of a PA full production assistant to Marius Goring. Great actor, great writer, great broadcaster, who had recently as the war broke out, written and starred in thi[…]

John Dark

[…]oth sides with members or ex members of course I know. Well I think it was one of its main things that was wrong with it actually. I don't think that production people should have been could have had a separate union because of Iran. Of course because of course you've got crushed you couldn't take t[…]

Frank Littlejohn

[…] masking which I think was rather new. BH: Masking had been studied in colour reproduction but doing it on a continuous printer scale, it involved running separate strips with your positive&[…]

Keith Ewart

[…]l television started up. It was indeed all the dead beats and the hacks from radio and BP pictures. That's great man who went pouring into the agency production so really as well, just to ask the question. That's what I know of the period, you were quite unique in approaching it from an advertising […]
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