[…] yes, Wembley was a KS, yes, but there was also, there were people there at Wembley who were army. AKs, well, they certainly had. They were, did some production there. I can't they did they, I thought that they having been in the both sides and not myself, he was not actually army films, right? AKs […]
[…]ade some films for Tiffany Stahl and my father sent me to see Maurice Elvey and Maurice Elvey said I'll pass you on to L'Estrange Fawcett who was the production manager. And L'Estrange Fawcett said you've come at the right moment, there was movement going on at the camera department, I think David L[…]
Peggy Gick (art director/ production designer) b.1911 by admin — last modified Jul 27, 2008 02:13 PM BIOGRAPHY: Peggy Gick […]
[…] I'll pass you on to L'Estrange Fawcett who was the production manager. And L'Estrange Fawcett said you've come at the […]
[…]ood to work with Hugh Alexander, who would publicity for 20th Century Fox, I enjoyed that enormously. But again, that ceased because 20th has stopped production. But through Fox, British, I heard I was introduced to Ernie Marlowe of Ealing studios, who employed me as his secretary, but failed to let[…]
[…]d this work at Chamonix-Mont-Blanc and various other places, Nice, and it was a bit difficult with Monty and Harry Lachman because I think it was the production manager who went down with a nervous breakdown and we were left with the accountant. I did make one of my only appearances on the sc[…]
[…]p;0:47 And what is the main job of casting network? How does, how does it roughly work?Lesley Gogarty 0:54 We get a brief in from a production company. It's very much done on who you know. Somebody will will recommend you to somebody, and they'll then get in touch that part of the […]
[…]y when he got to an age of it, like Shirley Temple, the time came, you know, your time is up pal, actually, and he went to work on you know, became a production manager. And Julius the the other son, he died on location, funnily enough in Africa, as well. And it was the same sort of sad demise if yo[…]
[…]end of six months it was sink or swim. You either left or they extended the contract and, you know, I was quite lucky because I'd done quite a lot of Production of bits and pieces. I'd organised a festival in Edinburgh and all the rest of it so, I mean, I had that kind of skill in my background and […]
[…]l was my deputy throughout my time as Head of the Film Department and Paul effectively ran the commercial side of the IWM Film Archive: he headed the Production Office with great success. He had really good relations with the film production community. He was the leading light in FOCAL, FOCAL Intern[…]
