Search Results for: Production Controller

[…]erything else, and the whole look of filming, I mean, news, current affairs, was changing. And then they advertised again for PA’s, as we were then - Production Assistants - which doesn’t mean the same thing nowadays. NS I think it still does, doesn’t it? JG Oh, they, I don’t know, whateve[…]

[…]f the way sort of business.[Laughter] I don’t know how true it was I don’t know but that’s the sort of thing you...And there was a guy on the, on the production side who I understand was working there for nothing because it was a glamour industry because he could afford to work there fornothing, you[…]

[…] over it; we will pay you nine pounds a week!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!2!Roy!Oxley!(1899G?)!was!a!British! production!designer!at!the!BBC,!he!won!a!BAFTA!for!his!work!on!The$Portrait$of$a$Lady!in!1969.!3!Peter!Bax!was!a!production!designer!at!the!BBC,!he!worked!on!productions!including!Hamlet!(1947)!and!Macbeth!(1949).!4!Patricia!Foy!(1922G2006)!was!a!British!producer!and!dance!for!programmes!including!The$Magic$of$Dance!(1979)!and!The$Margot$Fonteyn$Story!(1989).!! I: And were you still living at home at […]

[…] Kemp-Welch: No, no. Roy Fowler: These came in for the production...yes? Joan Kemp-Welch: No...and we did The Hairy Ape by […]

[…] as well Billy Williams: No he had a very good production controller called Terry Clegg. And he had an executive producer, […]

[…]o, within Unit Sixty Five there would be a team of you, a group of you making these films? R: Yes. I: Did you have a particular role in the production process or was there anything that you particularly liked more than other things about it? R: I started off, as most people did, doing[…]

[…]nt there and I was told they'd moved to Denham. And I got the name of the woman who was responsible for employing people, who I was told was called a Production Manager. And being very cheeky, I went to Denham, and found myself confronted by police at the gate, very high security then - this would h[…]

[…]sonalities afterwards.Roy Fowler: There wasn't a permanent company was there?Joan Kemp-Welch: No, no.Roy Fowler: These came in for the production...yes?Joan Kemp-Welch: No...and we did The Hairy Ape by Eugene O'Neill, was one of the plays in which there was George Merritt and Pix[…]

[…] been used. Gordon Craig commissioned it from Sibelius for a production that never came off, and Sibe lius put the […]