Bernard Gribble

[…]hould have been junked really. But it went through many stages. There was one scene where a man told a joke in in the red lion which was a set of a reproduction of the red line across the road. Now nowadays what you would do you wouldn't build a set you go across the red line and you shoot it. But i[…]

Emmanuel (Manny) Yospa

[…]in: So was it that he thought those studios were too small and he wanted to... ?Manny Yospa: Hmm - yeah I don't know if he wanted to concentrate more production at Denham, because they had several large stages there. And although, as I say, we were making successful films quite cheaply in the long r[…]

Graham Smart

[…]ust said I will go away make the films I want to make, not what somebody else should dictate. So that's what he did. And he set up Hugh Baddeley film productions and which was went on for until about 1990 and 1991. Till he died. very successfully again he made educational films and sponsored program[…]

Maurice Askew

[…]nd was fired at lunchtime! On a thing called 'D-Day the Sixth of June', when he was unfortunately taken ill on the Sunday and they decided to curtail production and that was the end of it. So there must have been a tie-up with this - it was about the end of, about the middle fifties or...Maurice Ask[…]

Maxwell Setton

[…]bsp;great film. George go. No no no. Try that very annoyed. I called in my production manager I said bring me here. Lynn Redgrave has a sister. And she cam[…]

Stephen Peet

[…]on became part of the story. Like, for instance, if I describe the first three that fell to me to make very quickly. In fact the first one was a long production that I kept coming back to, was a story of a chief, true story of a chief, who lived in a very cut off part of Southern Rhodesia and there […]
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