John Cotter

[…] tothe States to learn the technique of sound coverage and came back, continued to be their ChiefCamera man until about 1936-37. He then became their Production Manager and he was sort ofvirtually running the operational side of Movietone until the War. He was a first class aerialphotographer, havin[…]

John Jeffrey

[…]reet in the middle of the night and sit there and look at these rushes again and again. So when it came to The Shining, wasn’t it?  Was his next production. The one that burned down at Elstree. I said to Bob “Well, you know, we need this work, Bob. He’s a great pal of yours” but Bob wouldn’t go[…]
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