Search Results for: Production Controller

[…] do an Agatha Christie. I got cast in t ouring production hopefully coming to West End, while waiting for that, […]

[…] issues - comparing cameras and back-projection techniques. He recalls the production of many films, including King of the Damned, The […]

[…]k that part of getting franchise back was to employ more women so, you know, it was an ideal to have, because when I started there were female P.A.s [Production Assistants], now Tina Wakerell would have been the only female Director, I think, at that time, and I was a female Designer and Morag Torbe[…]

[…]fferent in those days, it wasn't, sort of, fighting for your job or anything. If your face fitted, everybody was nice to you. So they put me into the production office, with the production manager who was doing Alex's set of short films. There was Lobsters... (what was it?) The Gannets...Sidney Cole[…]

[…] wouldn’t of course change the quality or anything of the production but, he was thinking of things being shot in […]

[…]t all this stuff, and nobody ever uses it. And that he actually had the grace to send a memo to the head of film department about what I had done was production. So that offset some of the careless mistakes from time to time,Simon Rose  43:07  apart from the technical stuff. I mean, how ab[…]

[…]t all this stuff, and nobody ever uses it. And that he actually had the grace to send a memo to the head of film department about what I had done was production. So that offset some of the careless mistakes from time to time,Simon Rose  43:07  apart from the technical stuff. I mean, how ab[…]

[…]ly doing the job of assistant, so you know managing all the content that was coming into the cutting room and that was being worked on, liaising with production and the other disciplines as well. You know when the film was finished you do the sound track-lay and when the transmission print came back[…]

[…]. You see I was eighteen by then and they wouldn't take anyone under eighteen, at least not to work on the floor or in sort of any way connected with production, because of the hours - they had to finish at six o'clock, I think.Alan Lawson: That's right, yes.Leonard Harris: But anyway I worked there[…]

[…]could imagine, he was directing George Formby once and it was George Formby’s birthday and he got the sound department to put two drawing pins in the production chair and I was off-stage with a wind-up generator which can give you quite a nasty shock and I was supposed to give George Formby a shock.[…]