[…]. You see I was eighteen by then and they wouldn't take anyone under eighteen, at least not to work on the floor or in sort of any way connected with production, because of the hours - they had to finish at six o'clock, I think.Alan Lawson: That's right, yes.Leonard Harris: But anyway I worked there[…]
[…]d this work at Chamonix-Mont-Blanc and various other places, Nice, and it was a bit difficult with Monty and Harry Lachman because I think it was the production manager who went down with a nervous breakdown and we were left with the accountant. I did make one of my only appearances on the sc[…]
[…] was somebody who helped the director. There was a, a production assistant that it’s called now, who in fact who […]
[…]imation people hang around with ponen, Dean and left. So I arrived just after that period. And Marina was obviously the major director there. And the production managers a guy called Harry Pousti, who had no film background, presumably, in fact, I think he came from a travel agency. So I remember, b[…]
[…]hristmas broadcast, but in 1970 it was decided that instead of doing what had in the past been done which was largely to do the broadcast as a studio production, as an outside broadcast, it was decided that because of the success of Royal Family, the way it had been shot, which was essentially ‘fly […]
[…]l was my deputy throughout my time as Head of the Film Department and Paul effectively ran the commercial side of the IWM Film Archive: he headed the Production Office with great success. He had really good relations with the film production community. He was the leading light in FOCAL, FOCAL Intern[…]
[…]ur, what PA meant in those days and your association with Jim?Well, PA in, in those days in fact was somebody who helped the director. There was a, a production assistant that it’s called now, who in fact who typed the camera script and did all the sort of paperwork attached to, to doing a show. In […]
