[…]y wheeled in rails with clothes on which you could have for crowd. And I used to come across clothes which I recognised from some of the lovely Korda productions. I remember coming across a dress which Diana Wynyard had worn in 'Kipps', things like that, but was now in crowd. And you felt, "Oh dear,[…]
[…] over it; we will pay you nine pounds a week!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!2!Roy!Oxley!(1899G?)!was!a!British! production!designer!at!the!BBC,!he!won!a!BAFTA!for!his!work!on!The$Portrait$of$a$Lady!in!1969.!3!Peter!Bax!was!a!production!designer!at!the!BBC,!he!worked!on!productions!including!Hamlet!(1947)!and!Macbeth!(1949).!4!Patricia!Foy!(1922G2006)!was!a!British!producer!and!dance!for!programmes!including!The$Magic$of$Dance!(1979)!and!The$Margot$Fonteyn$Story!(1989).!! I: And were you still living at home at […]
[…]endent film sectorMike Dick 27:16 the next phase. The other thing was quite interesting. You've answered all my questions. There's a film production course you did that was later? That later? Okay, yeah, that wasSpeaker 1 27:29 later, yeah, I did that. I worked after uni. I t[…]
[…] at the Palladium. He was one of his as sistant production managers He had a younger brother called Ted who […]
[…]ort of think about this, so I used to, I used to apply for these jobs. There were all sorts of things in television and there were, you'd see jobs in production, I fancied that so I used to apply, and I never got anything, not anything.[15:12]And, by the way, one other interesting, small sideline, i[…]
[…] things in television and there were, you'd see jobs in production, I fancied that so I used to apply, and […]
[…]y wrote back and said no, we will pay you (laughs). I couldn't get over it; we will pay you nine pounds a week2 Roy Oxley (1899-?) was a British production designer at the BBC, he won a BAFTA for his work on The Portrait of a Lady in 1969.3 Peter Bax was a production designer at […]
[…]t . Anyway that film was made in Berlin and we actually have a copy of that film and my mother had a small part in it.Furthermore there’s a wonderful production still that we’ve got of the whole crew in front of this ghastly, cheap looking set. But it’s interesting because it’s got three cameras all[…]
[…]as good time good time because right at the time it was 50 58.SPEAKER: M258 right. Of course were going great guns at the time in terms of their film production and distribution. And of course they had the clout the films I had Genevieve and doctor the house but they were also distributing Universal[…]
