Charles Bennett

[…] suppose when I was eleven. That was in Max Reinhardt's production of The Miracle at Olympia in 1911. And then […]

Pat Jackson

[…] is credited with developing the ‘story documentary’. His most celebrated production in this period was Western Approaches (1944), shot at […]

Pat Jackson

[…] is credited with developing the ‘story documentary’. His most celebrated production in this period was Western Approaches (1944), shot at […]

Ian Rutter

[…]g you've ever seen on television, just a lot of it was experimental. We come up with new ideas. And they say, oh, yeah, we'll do that. We'll do that. Production supported us wonderfully. If we thought we could try something different. They say, Okay, try it out, see if it worked. When digital came i[…]

Marjorie (Sullivan) Graham

[…]sociated Rediffusion, who got the week time week day contract. So she encouraged me to apply to them. And I did so in the August and I got a job as a production assistant. I didn't really know what that was. But my friend Hazel said, it's an interesting job. And you'll be doing something different e[…]

Bernard Gribble

[…]hould have been junked really. But it went through many stages. There was one scene where a man told a joke in in the red lion which was a set of a reproduction of the red line across the road. Now nowadays what you would do you wouldn't build a set you go across the red line and you shoot it. But i[…]
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