Interview

[…]umbs on the table, human signs of actually just being a person like you, was the bit that the film department gave you that the bigger team of studio production have an imposed control on situations, didn't allow people to be absolutely one hundred percent human. So when I sat and had dinner with, y[…]

Agnes Wilkie

[…]as there a sense of it that it was bringing new talent through or...? R: It certainly felt like that. Probably especially behind the scenes, the production side, so Producers and Directors and Editors. It felt a really fantastic opportunity for giving them a chance to move on, do something diff[…]

Jean Anderson

[…]a also played it, so, no, can’t remember.Margaret Thomson: So at the moment, in a chronological sense, you left (indistinct), you got into your first production, and can you go on from there?Jean Anderson:  Yes, then you see how lucky we were in my young days, to have these Reps, where you real[…]

Cyril Crowhurst

[…]x machines were not there, the conversion from originally sound on disc systems was pretty well obsolete by this time, it was all sound on film for reproduction in cinemas?A          The wax machines were the hangover from ..... and in fact we had some - […]

Alf Cooper

[…]f the way sort of business.[Laughter] I don’t know how true it was I don’t know but that’s the sort of thing you...And there was a guy on the, on the production side who I understand was working there for nothing because it was a glamour industry because he could afford to work there fornothing, you[…]
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