[…] make story pictures and (2) I don't think we had the able people, the able filmmakers that could have really competed on a technical level as far as production was concerned. So as far as distribution was concerned we got hold of the...certainly the Soviet films - October. Of course one of the firs[…]
[…]d to pass that knowledge on. And although one might not like the attitude of the or the antics of the American industry towards this industry, from a production point of view, when asked do I feel be honest about it and say that those Americans as a team did a very good job, and some of the really e[…]
[…]y'd finished the film but they couldn't get the music right, so that was a horrible warming. We started up when I was there Cambridge University Film Production Unit and we made a film which was called Psychology Today. The camera had been left there, it was a hand cranked, I think Stuart Legart had[…]
[…] define the sorts of skills that you’ve brought to a production? 0:03:06 JOY: Well, I know it sounds funny but […]
[…] I’m interested in is from the crew’s perspective, from the production, you know, from the people. Were you aware when […]
[…] the most important one was the shift at the BFI Production Board, where Peter Sainsbury, who had been the editor […]
Bom 1921 in Berlin. Prosperous upper middle class Jewish family. Father owned a famous sports store. (Trained at Burberry's). Also […]
