Hugh Stewart

[…] Legard: Hmm. Hugh Stewart: So Dora Wright, who was the production manager said to me, "Well why don't you say […]

Alistair Murray Moffat

[…]e've interviewed Glen. R: Oh, I'm glad! I'm glad. But yeah, it was an exciting time because we were creating jobs, we were making Glasgow into a production centre and that was the most exhilarating period without a doubt! Without a doubt. [16:04] But then of course what began to happen was that[…]

Roy Fowler

[…]incidentally whereas commercials are, you know, a vitally important industry, they’ve kept the industry going and it’s essentially they or commercial productions, commercials production that has trained people, you know, so maybe Ridley Scott came up through commercials it wasn’t through working at […]

Yvette Vanson

[…]And by stealth it’s happened.[0:11:16]And I think one of the things, one of the things, I was thinking about it today, about Vanson Wardle and Vanson Productions, has been that we’ve been very prophetic. We’ve always been a bit ahead of the game. I mean, were we that smart? I don’t know. Were we jus[…]

Jill Balcon (Day-Lewis)

[…]antly, various members of the Osterer family I remember. Roy Fowler  23:39  C M of course backed your father in a very early production. Jill Balcon  23:44  Did he? Roy Fowler  23:44  Yeah, it was his money. I think it was hi[…]
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