[…]. It was an extraordinary cast because you see the Theatre Royal are allowed to call upon the Brigade of Guards to provide so many guardsmen for each production, if we needed them. Well, we had two delicious lots of guardsmen in Cavalcade who used to see us girls through the market, through Covent G[…]
[…] to London.Norman Fisher: The set up was you had a chief editor and then you had a news editor whose job it was to decide what would be covered and a production manager who organised the necessary crews and handed out assignments.Roy Fowler: How many crews were there when you joined?Norman Fisher: W[…]
[…]and we 've got a lot of music so we can only do so much a session, so the orchestra is going to cost £50, 000—£60, 000. So we ' re dealing with a big production. How would you deal with that. I would deal with it in the old fashioned way. That's to say I would have the screen up there and the […]
[…]hina and trying to get little people in order to dress them up at that time, it was a few months before they shot that sequence.Roy Fowler: it was in production over a period of years, I don't know when you shot that sequence.Robert Beatty: Early on, at the beginning, they hadn't shot the ape sequen[…]
